In sixteenth-century Venice, Tintoretto, helped by his studio assistants, produced work so quickly that he was nicknamed ‘Il Furioso’ (“The Furious”).
Tintoretto had received almost no formal training.
Without the benefit of an apprenticeship in the studio of a major artist he had to find work the hard way, by under-cutting prices and delivering faster than his competitors (who included Titian and Veronese).
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